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她们已经生活了一个世纪。她们是了不起的女性，凭借自身的女性力量彻底颠覆了她们所生活的世界。而且她们不知疲倦地为未来谋划。她们来自古巴、日本、德国、美国和波兰，以她们引人入胜的人生故事为这个永不停歇的世纪增添了一抹奇妙的……

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Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

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Theorie der Erzählung (theory of narration, or narratology) – five lectures on aestetics, held by Alexander Kluge in Summer 2012 at the Johann Wolfgang Goethe University, Frankfurt. Including some short films by Kluge (Minutenfilme) and film excerpts (Abschied von gestern, 1966). With Michael Haneke, Hans-Magnus Enzensberger, Helge Schneider, and others (archive footage). Lecture 1: The rumbling of the swallowed world. The lives and the real Lecture 2: The instruments for text and film. Poetics themselves Lecture 3: Masses of reality, waiting for narration Lecture 4: The irrefutability of narration

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The American actor Tony Curtis talks about his career.

Peter Kraus talks about his career.